Thursday, March 24, 2005


Old and New (1929)

Over 300 other Russian movie posters can be found here.

(via greencine daily)

HISTORY OF MIX CULTURE

Sonic Youth's Thurston Moore on mix tapes and MP3s.

Wednesday, March 23, 2005

UNDER THE LID

Preach on, brother Wolcott...
One of the side-effects of the 2004 election revealed by this despicable exploitative schmaltzfest is that the media has to tippytoe around making any disparaging remarks about religious fervor and its pathologies. Compare how little ink and airtime is given to the fact that the accused BTK serial killer is a prominent member of his church (and a registered Republican) to all the inspirational uplift being wrung out of the Atlanta hostage case, with CNN devoting a whole kabob to The Purpose-Driven Life. The positive side of religious faith is hailed to the rafters while the sadism and mastery over others seething in the negative side is now considered impolite to mention, as is the willful, retarded ignorance of those who cling to their Bibles and reject reason and science.

Call me a pessimist, a proud Eeyore, because I don't think America will smell the fine aroma of Gevalia anytime soon, if ever. This country is wearing a blindfold, staggering backwards, and slitting its own throat in slow motion. Watch the cable news, listen to our elected leaders: there's no more urgency about the economic decline in living standards dead ahead than there is about addressing global warming or loosening the chokehold of military spending. A country where "evolution" is becoming a bad word is not a country interested in facing reality. Instead, as the passage of the bankruptcy bill shows, corporate-political power is going to grind every last dollar out of the desperate and destitute rather than confront the difficult macro decisions. The elites in this country have never had it so good, and as long as they're prospering the distress will smothered under the surface, kept under a lid.


Sunday, March 20, 2005

TOM WAITS FAVE RAVES

Solo Monk by Thelonious Monk (Columbia) 1964
Monk said 'There is no wrong note, it has to do with how you resolve it'. He almost sounded like a kid taking piano lessons. I could relate to that when I first started playing the piano, because he was decomposing the music while he was playing it. It was like demystifying the sound, because there is a certain veneer to jazz and to any music, after a while it gets traffic rules, and the music takes a backseat to the rules. It's like aerial photography, telling you that this is how we do it. That happens in folk music too. Try playing with a bluegrass group and introducing new ideas. Forget about it. They look at you like you're a communist. On Solo Monk, he appears to be composing as he plays, extending intervals, voicing chords with impossible clusters of notes. 'I Should Care' kills me, a communion wine with a twist. Stride, church, jump rope, Bartok, melodies scratched into the plaster with a knife. A bold iconoclast. Solo Monk lets you not only see these melodies without clothes, but without skin. This is astronaut music from Bedlam.

Ol' rusty larnyx also opines on Beefheart, Sinatra, Bill Hicks and many more....